My work is primarily on paper, in black and white, an abstract exploration of line, form and surface. The process is instinctive — each mark responding to a previous mark or some feature of the medium surface. While the mark making is not planned, the works are grounded by a minimalist concept. Conceptualization is a process often arising out of an initial work, finding some essential marks, palette, or spatial organization that form the bones and boundaries of a series of pieces. I tend to work in series of a common conceptual thread.

Trained in mathematics and physics, I am drawn to the abstraction of small chamber music. The lines and marks strive to converse and dance in much the same lyrical elegance as the individual voices in a chamber piece. My work has increasingly used video to capture the kinetics of the displayed works with a musical skeleton